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Bezhin Meadow: Sequences from an Unfinished Film

1968-03-04 | Drama
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Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.

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Bezhin Meadow: Sequences from an Unfinished Film FAQ

The casts of Bezhin Meadow: Sequences from an Unfinished Film are Viktor Kartashov starring as Stepok (as Vitya Kartashov), Boris Zakhava starring as Samokhin, Stepok's Father, Pyotr Arzhanov starring as Political Commissioner (as Pavel Ardzhanov), Yekaterina Teleshova starring as President of Kolkhoz, Nikolai Maslov starring as Arsonist, Nikolay Khmelyov starring as Peasant.
The genre of Bezhin Meadow: Sequences from an Unfinished Film is Drama.
The release date of Bezhin Meadow: Sequences from an Unfinished Film is March 04, 1968.
The runtime of Bezhin Meadow: Sequences from an Unfinished Film is 31 minutes.
The director of Bezhin Meadow: Sequences from an Unfinished Film is Sergei Eisenstein.
On April 15, 2024, the IMDB rating of Bezhin Meadow: Sequences from an Unfinished Film is 6.7/10, Rotten Tomato rating is 0/100, Metacritic rating is 0/100, TMDB rating is 6.0/10.
Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film..