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La Traviata

2006-01-01 | Romance / Music
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This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

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8.4
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Positive 74%
Negative 26%

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La Traviata FAQ

The certification of La Traviata is PG-13.
On April 29, 2024, the IMDB rating of La Traviata is 8.4/10, Rotten Tomato rating is 0/100, Metacritic rating is 0/100, TMDB rating is 0.0/10.
The release date of La Traviata is January 01, 2006.
The casts of La Traviata are Renée Fleming starring as Violetta Valéry, Rolando Villazón starring as Alfredo Germont, Renato Bruson starring as Giorgio Germont, Suzanna Guzmán starring as Flora Bervoix, Anna Alkhimova starring as Annina, James Conlon starring as Conductor.
The genre of La Traviata is Romance,Music,Drama.
The director of La Traviata is Marta Domingo, the writer is Francesco Maria Piave.
On April 29, 2024, there were 1732 public reaction to La Traviata including rhythmic continuity of character development, rambling dialogue, like Chef, low-key approach, first timer.
This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character..